The Minotaur motif appeared for the first time in the large collage Minotaur (Paris, Musée National d’Art Moderne).
Breton published Surrealism and Painting illustrating the foreword with works by Picasso: Man with Clarinet, 1912 (Madrid, Museo Thyssen Bornemisza), and Woman in Shirt, 1913 (private collection).
In Julio Gonzalez’ studio, Picasso executed his iron sculptures Bust (MP263) and Figures (MP264 and MP265), projects for the Monument to Apollinaire, that Kahnweiler described as “outline drawings in space“.